Overview

Helsinki Photomedia is a biennial photography research conference organized by four Finnish universities since 2012. The conference offers various platforms where artistic, philosophical, social, cultural, economical and technological approaches to photography meet. We welcome submissions from all areas of photography research. Since 2016 photography education has been one of the areas and we welcome submissions for the educational panel for presenting educational projects and related research. The conference language is English.

The themes of the three previous conferences have been Images in Circulation (2012), Photographic Powers (2014), and Photographic Agencies and Materialities (2016). In the year 2018, Helsinki Photomedia will embrace the theme Reconsidering the “Post-truth Condition”: Epistemologies of the photographic image.

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Keynote speakers 2018:

Professor Robert Hariman (Northwestern University)

Professor John Lucaites (Indiana University)

Professor Barbie Zelizer (University of Pennsylvania)

Artist Keynote TBC by August

Hariman and Lucaites are authors of The Public Image, Photography and Civic Spectatorship (2016) and No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy (2007).

Zelizer's work on photography includes the books About to Die: How News Images Move the Public (2010) and Remembering to Forget: Holocaust Memory through the Camera's Eye (2000).

Artist keynote speaker will be confirmed by August.

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Contemporary photography takes place in a world where the relation between facts and values is a social and political issue which has repercussions in art and education as well. The public discussions on information warfare, fake news and manipulated media contents have shaken the epistemology of news media and generally revitalized the questions of trustfulness of media representations. Problematic statements about the ‘post-truth condition’ symptomatically reflect this situation and pose new challenges to our understanding of the epistemology of the photographic image.

It is vital to reconsider the ‘post-truth condition’ as a discursive and imaginary formation. This implies that its claims cannot be taken at face value. At the same time, however, as a socially seducing phenomenon, it arranges new settings for old questions of photographic knowledge, authenticity, veracity and truthfulness. It postulates a political and social terrain where photographic images circulate and participate in the formation of socially efficient visual knowledge.

Hence, the controversial notion of post-truth actualizes questions of the quality of photographic information, knowledge and data. Rich in detail, photographs are able to communicate in a constative, laconic manner. Photographs are “dense data” and their mute appearances are malleable material for various information structures.

 

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Previous conferences:

 

For HPM 2014, see Photographic Powers article compilation

Photographic Powers - Helsinki Photomedia 2014

 

For HPM 2012, see Photographies 6(1) (2013): Special issue on Helsinki Photomedia 2012

http://www.tandfonline.com/toc/rpho20/6/1